Mia Westerlund, Sculptures
Although many aspects of Westerlund’s oeuvre employ a minimalist aesthetic—large holistic shapes often serially repeated (more of this later)—in these new pedestal-based forms she seems to allude to an earlier Abstract Expressionist mode. In imminent danger of toppling, they convey an asymmetrical precariousness that recalls Agostini, Roszak, Ferber , rather than Judd or Andre.
